Rome - In Pictures and Words by Chris Ceaser

On Tuesday evening Chris Caesar led us through the streets of Rome and treated us to a potted history of the Eternal City beginning from the 9th century BCE up to today. He talked of the seven hills of Rome, the myths surrounding the founders of Rome, Romulus and Remus, their falling out and Romulus' victory. Chris mentioned the Sabine women from the next door hill and the arrival of the Eutruscans.

We saw pictures of the Circus Maximus, the chariot racing arena, and Chris explained the meaning of the ubiquitous logo 'SPQR' (Senatus Populusque Romanus) the Senate and People of Rome, to be seen on so many structures in the city.

Julius Caesar made an entrance and his well known sound bites explained - 'The die is cast!', 'Crossing The Rubicon', 'I came, I saw, I conquered'.

Then on to The Appian Way, its construction and its bloody history of punishment of the slaves of the Spartacus rebellion, 6,000 prisoners nailed to crosses every 60 yards!

The emperor Trajan his column, a carved history of war and invasion, his building of what is believed to be the first supermarket and the first use of concrete in construction.

After the break we saw some beautiful pictures of the Pantheon and its oculus, its eye in the roof open to the sky. In the 1400's Piazza Navona was constructed and this breath-taking open area still retains the shape and dimensions of the original circus on which it was built.

Piazza del Campidoglio, beautifully designed by Michelangelo, is the masterpiece of the Capitoline hill and beautifully photographed my Chris. More excellent views of the Spanish Steps, the Trevi Fountain and Piazza del Popolo.

We walked along the banks of the Tiber on Lungo Tevere and admired the bridges, the Ponte Rotto and the Vatican church and state.

Chris ended his Roman Holiday with a brief tour of the fountains, the 'typewriter' monument and the 'bocca della verita'. You know, the drain cover which bites your hand off if you don't tell the truth!

Great photos, great explanations and an evening to remember. Our thanks to Chris.

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The Carnivores of the Serengeti by Bob Johnson ARPS

In February, after his first visit to NDPS, he 'Exit(ed) pursued by a bear'! An ice bear, at the end of his Svalbard presentation!

This evening his presentation suited the arrival of English summer! We were transported to much warmer climes, the Serengeti, Tanzania, home of the great migration.

Bob began by explaining his love affair with Africa which followed a family trip where he became hooked on wildlife photography and has resulted in fourteen subsequent visits!

On to the Serengeti (Serengeti means 'endless plains') and is a huge national park in Tanzania. Bob changed his cameras from Canon to Olympus before the trip so there was something of a learning curve, but he began with pictures of a cheetah, up in a tree, with a dead sheep she had caught.

Next was a cheetah and her cub on a hunting trip in woodland! Very, very unusual situation to see a cub helping and in woodland. Then they caught an impala, another rarity! This sequence of photos showed all the action, including the kill, and Bob suggested that even though this was fast moving it is still worthwhile changing settings during the action, to improve the shutter speed and reduce noise - something of a conundrum.

Then, with a non-photography group, they saw a pack of 16 wild dogs, again, never seen before. Then a cheetah, nicknamed 'Patch' by the visitors with her four cubs only three months old and very vulnerable to attack. This means that mum was very busy indeed looking for food. All the animals looked in good condition and, indeed all four reached adulthood. A tribute to Patch because this was her first family and such success has rarely been achieved.

Bob began the second half with some astonishing statistics about lions - the numbers have dropped from 200 thousand to 20 thousand, of which 4 thousand are males and of these only ten percent will mate in their lifetime!

Bob then showed four lions killing a young hippo and a lioness killing a young giraffe for her sister and their eight cubs! Those cubs hadn't eaten for two weeks and they were very hungry.

Bob rounded off his presentation by recommending 'Remembering Wildlife' to us, a series of books published to help in the conservation of species.

Another exciting presentation from Bob Johnson with not too much blood but some good examples of the law of self-preservation and the law of the bush.

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A Bit of a Journey by Mark Gilligan

Yesterday evening's presentation from an absolutely outstanding photographer kept over forty members enthralled for the whole evening.

Mark introduced himself and ran through his early life from his schooldays, when he was in the football team, to his retirement! He made no apologies for this journey which included several references to his father who he described as his inspiration. His dad was a photographer and Mark had never known a time in his life when there was not a camera around, and a good camera too because his dad allowed him to use the newspaper camera from work!

Mark explained how he rose to the heights of working for the Daily Mirror and, importantly, working in the Mirror dark room. From 1972 - 1975 he worked for an ad. agency and then he was recruited by the Home Office.

In this job he was responsible for training photographers and AV people when the Home Office was interested in the inner city riots - his images followed this route, Acquisition, Assess, Protection and Court! This led to film production and even more pictures of city centre riots, but he was always able to escape for short periods to the lake district for landscape photography.

1984 and Mark was involved in the miner's strike, flying pickets and Mr. Scargill. 1985 saw him photographing and recording the Heysel Stadium disaster and Bradford City disaster.

The Home Office needed a system to deal with English football hooligans at home and abroad and Mark helped in devising and putting this in place. This is now known as the National Crime Agency.

He covered the Tottenham Riots of 1989, the prison riots of 1990 and went on to make counter terrorism films.

This whistle-stop tour of disasters brought us to the break. When we resumed Mark shared how he makes a photo - assess, compose, expose and click! He said that he used Lightroom but doesn't take more than a couple of minutes in post processing. In addition to Lightroom he used Nik Collection Silver Effects.

He had an interesting way of dividing a day into sections. First, sunrise, then daytime (yes you can take pictures during the day!), Grim and finally Dusk. An interesting assessment of a photographic day but all the time he wove his fabulous landscapes of the Lake District and North Wales through his explanations.

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Sports Photography with Impact by David Keep

We think this presentation should be re-named, The Agony and The Ecstasy! The title of a biographical chronicle of Michelangelo and the opposition he faced from Pope Julius II while painting the ceiling of the Sistine Chapel. Last night we had a modern day Michelangelo presenting to NDPS!

This was David's third presentation to this Society and that alone surely indicates how good he is!

He said that all his photography is project based and his thought process went through the following stages: visualise, plan, shoot and finally process. He said he wanted to be in control of his processes.

He listed some sports that were easy to photograph - tennis, white water canoeing and cross country horse jumping. More difficult sports were athletics, squash, contact sports and speed skating.

His images were taken for competitions only and were not really a romantic view of drama. He looks for peak action for the maximum impact and the maximum return on effort. Predictability was the keystone, and he compared the long jump with rugby. The long jump is predictable, every competitor runs the same distance and lands in the same pit - predictability! A game of rugby, by contrast, cannot be predicted. Who knows where the players will be, where the scrums and lineouts will be!

David showed pictures of freestyle kayaking, an easy sport to photograph, providing it was not on a real river where the chances of that killer shot would be elusive.

His pictures of horses jumping hedges were dynamic, strong, and sharp and his favourite technique of putting a camera on the ground and photographing up towards the horse and rider produced some great shots.

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Mastering Long Exposure Photography by Antony Zacharias

Mastering Long Exposure Photography

Last evening Antony gave us his presentation on long exposures. He promised to give us a focus on wide ranging aspects of long exposure work including night-time images, neutral density filters and a wealth of hints and tip to improve long exposure photography.

Well, he kept his promise..!

His explanations together with a fantastic set of photographs were an inspiration to landscape photographers and, I suspect, photographers from other genres..!

He began simply by setting out a two part definition of the use of long exposure:

1. where there is a shortage of available light and

2. a deliberate and creative use of extended shutter speed.

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Topic for next Year's International Three-way Battle is announced.

Next Year it is the turn of Foto-Club Koblenz to organise the Annual International Three-way Battle between Kpblenz, Ciné-Photo Club Nivernais, and NDPS when all three ‘clubs’ will again compete for the Alan Taylor Memorial Trophy, currently held by NDPS.

The topic that FCKO have chosen is ‘GRAPHIC’.

In the context of the competition Graphic photographs are photo motifs that result in a graphic motif through light, dark, colors, surfaces, lines and dots. What is meant is the language of form - also in nature, objects, light and shadow, facade(s) and building structure (not "simple" architecture).

The remaining rules are the same as until now. NDPS will be ready to send our 20 +1 images by the first week of January 2023…!

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Another outstanding result for NDPS this time in the EAF Print Championships 2022

Norwich & District Photographic Society continued our recent success in external photographic competitions and inter-club battles with an excellent performance in the EAF Championships. This report is by Dave Balcombe who was one of the five NDPS members who were at Fulbourn on Sunday for the championships.

On Sunday13th March five club members went to the print championships in Fulbourn. There are we currently understand 116 clubs in the EAF but only 17 entered the print championship this year whereas normally there are at least 25 and frequently in the recent past many more. Each club entered 15 prints and the winners would go forward to represent the EAF at the national championship organised by the PAGB. This style of competition is somewhat different to normal club competitions, there are 3 judges with a numeric keypad, the prints are placed on a display stand, and they score between 1 and 5 so the maximum score is 15. They are all experienced judges and the scores come up in seconds with no other feedback or commentary so often images that might do well at club level don’t do so well if they don’t have instant impact.

The Norwich entry was drawn from all the photographs entered in our Annual Exhibition and all other internal competitions and members were invited to submit any other images they wanted considered by our selectors.

By the half way point we knew we were doing fairly well and lying in 5th place, but it was very close at the top. We think the judges must have had a good lunch as the scores immediately after they had dined were noticeably higher and when the final scores were totalled up we still had the 5th highest score of 178.

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Creative Techniques by Glenys Garnett

Creative Techniques
Photography is a visual art that begins before you pick up the camera

This week on Tuesday evening Norwich & District Photographic Society were treated to a inspirational special presentation - Creative Techniques, by Glenys Garnett.

Why haven't I used these techniques? Glenys' results were breath taking. Of course I've used multiple exposures but not with blend modes!

Glenys began with a short introduction of herself, revealing that her background was in graphic design and IT. She said she was interested in landscape and nature and particularly floral photography. She said that many of her images were abstract and two important points were that mostly the capture was in camera and the end result created an impression, that is structure, shape, and form rather that a record shot.

Glenys, throughout her presentation, explained technique, and approach and in every case showed examples, and what stunning examples they were.

She said that photography was a creative visual art and that the whole process began before she picked up the camera - visualisation, capture, technical skill, processing and developing. She quoted Cartier-Bresson 'Think about the photo before and after, never during.' Being creative was a mindset and all about seeing, exploring and discovering ways of expressing yourself. Ask yourself; Why am I doing this? What am I trying to say or show?

Techniques do not make you creative, you must express yourself, play and experiment, develop ideas and visions.

Glenys was on a roll and in the second part of her presentation she focussed on intentional camera movement (ICM) and multiple exposures (ME). For ICM shots she recommended not to use small apertures, use ND filter, manual focus hold the camera still then move it.

For ME shots she described the different blend modes available in today’s cameras and the effects they produce. Of course these explanations were accompanied by her own wonderful examples.

This review barely scratches the surface of the information offered and falls short of describing the enthusiasm of Glenys for her hobby. So much to assimilate and so much to practice.Creativity is hard but she finished her presentation with the exhortation HAVE FUN

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Special Presentation by Eddie Hyde FRPS

Making Sense of the Landscape - The Art of Seeing
A personal take on Landscape Photography

Yesterday's special presentation was all about landscapes and the art of choosing not only a subject but choosing all the elements of a composition. Eddie is clearly a consummate photographer and this expertise is the result of carefully 'seeing' what's in the viewfinder and making a multitude of decisions.

“Landscape photography is the supreme test of the photographer and often the supreme disappointment”

— Ansel Adams

Eddie began with the key criteria of landscape photography - the rules of composition and key elements. Composition, does 90% of the work in a good photograph but remember lighting, atmosphere and keeping it simple! Eddie showed many examples of simplicity with some remarkable subjects: planes, castles, beaches and storms.

Make use of leading lines and as examples he showed fields, railway lines and other compositional devices including the path to nowhere, the river to nowhere and the road to nowhere!

Another gem of an idea was to ask yourself 'Is there more than one picture within the view?' Eddie enlarged on this theme by explaining his use of different focal lengths - 50 to 200 mm, 109 to 500 mm to select different compositions.

Moving forward to woodland captures Eddie invited us to embrace the chaos and be aware of the power of light. Also he said use the marcescence of beech leaves especially when combined with mist and fog. Mist and light in woodland are heaven on earth!

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Special Presentation by Bob Johnson ARPS

The Kingdom of The Ice Bear
Tuesday 22nd February.

This evening members of Norwich & District Photographic Society were all entertained by an inspirational story of arctic adventure illustrated by some outstanding photographs. The presentation by Bob Johnson was a description of his four week trip inside the Arctic Circle in the Svalbard area in the former seal hunter ship called Havsel and captained by Bjorn Kvernmo to the Kingdom of the Ice Bear!

Bob began by telling how he started photography, fell in love with Africa (he has been there 14 times now!), talked of his farmers photos in Essex but quickly moved on to this evening's presentation in the far north of Norway. The boat he was on had previously been used for seal hunting, capable of hunting and killing 1,500 seals on a trip, but today Captain Bjorn is now passionate about wildlife.

At the start of the trip there was a lack of bears and they sailed along the edge of the ice where Bob had some amazing views from the crow's nest. Suddenly they spotted a dead whale and 21 bears. The view was amazing, 21 polar bears all together in one spot was a record even for the captain, but the horrible, rancid smell . . . Later a mother bear and two cubs were spotted, and the photographers watched them for a couple of days, just long enough for the bears to get used to the ship and come closer and closer allowing some breath taking photography.

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Norwich Evening News selects NDPS to start new series 'yourclubs'

Norwich Evening News has begun shining a light on some of the many clubs and groups in Norwich that offer their members the chance to meet like-minded people, learn new skills and make new new friends. We are delighted that the Club they choose to feature this week to begin this new series was Norwich & District Photographic Society…!

NDPS gave them a few details about the Society and a number of photographs from which the Evening News produced the following article:

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Photo-talk by NDPS member Des King

The People of Rajasthan
Tuesday 1st february

This evening the booked speaker had to call off and his presentation has been rearranged for March.

NDPS member Des King offered his services as a reserve speaker and gave us an excellent presentation on his trip to Rajasthan three years ago. He began with a map of India showing the geographical areas covered, starting from Delhi.

The first part was based on 'people' and accompanied by a brief commentary from Des and backed by Indian music which proved to be very evocative. India is a colourful country and Des certainly caught the mood with street sellers, the festival of Diwali and tiny hot air balloons. He went to a theatre to watch a special performance by actors who only moved their eyes!­­­

The Opium Festival looked interesting and, for sure, Des bought a pipe!

The sacred cows of the country which, of course, cannot be shooed away or pushed off, were ever present in his photos, in the street, in the markets and even on the railway lines! Des had also been to a Hari Krishna temple and listened to the Hare Krishna mantra being chanted by the congregation.

After 'people', Des concentrated on buildings - temples and palaces, the Jaipur Observatory and the Taj Mahal from afar. What a breath taking, whirlwind, tour of a colourful and fascinating country.

Thanks Des for standing in and giving us a great evenings entertainment.

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52 Sunrises in 52 weeks

The Society’s Landscape Group has met regularly over te past year whenever covid restrictions have allowed. What many of us did not realise was that amongst our midst Graeme Taplin a stalwart of the group was also working on his own photo-project.

Here is Graeme’s story

At the beginning of 2021, I embarked on a personal project to film and photograph 52 sunrises for the calendar year. It was simply shooting a sunrise each week and I imagined that couldn't be too tough. I was wrong on that score....it's hard work! Early alarm calls, lots of coffee, cold mornings with numb fingers working the camera and drone. And occasionally awful weather - the weather Apps aren't always right!

On the 31st of December 2021, I completed the 52nd sunrise on a New Year’s Eve shoot at Southwold pier on the Suffolk coast. Thanks to the guys from Norwich & District Photographic Society (NDPS), who were there on many shoots; Justin Minns for getting me onto sunrise shoots in the first place, back in 2016. Special thanks my wife Jane.... for putting up with all those early morning escapes!

A Landscape Photography project by Graeme Taplin Equipment used in all my filming projects: Drones and Gimbals: DJI Inspire 2 pro X5S drone and Olympus lenses; DJI Phantom 4 Pro plus; DJI Mavic 2 Pro; Polar Pro ND filters. DJI Ronin-S and the DJI OSMO with X5 camera DSLR Camera: Canon 5D Mk1V VIDEO Camera: Panasonic GH5 Lenses: Canon 16-35mm f/2 lens, 24-70mm f/4 lens, 70-200mm f/4 lens, Sigma 150-600mm contemporary lens. Panasonic LUMIX 12-35mm f/2.8 Vario lens. Metabones speed booster

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Special Presentation by James Rushforth

Exploring the Italian Dolomites and Iceland
18th January 2022
This Season Norwich & District Photographic Society has joined forces with Old Coulsdon Camera Club in South London to jointly present outstanding photo-talks by inspirational photographers from around the world. This evening more than 60 people 'Zoomed in' for a breath-taking tour of The Dolomite mountains of Northern Italy and also Iceland.

James Rushforth is a full time professional photographer, he began 12 years ago with his first camera, and he has managed to find a niche in the landscape market; climbing, ski mountaineering and mountain guide books. And what exciting pictures he showed us, even those pictures he took with his first camera were great. He explained that his technique improved over time, not just composition but in post processing also.

There were names to conjure with peppered throughout this presentation, the Tre Cima, Marmolada and the via ferrate, grades one to five! These are all big excursions in the world of climbing but James went on to discuss winter ice climbing on ice falls, the difficulties of good camera work in the winter and ski mountaineering or ski climbing! These were all photographs to set your heart racing, views of ski routes down very, very narrow couloirs and his final 'silly sport' - slacklining. Four hundred meters in the air and walking on a piece of one inch wide webbing. He said it looks terrifying but in fact it's not! Well each to his own, I'll leave it to James.

But it wasn't all mountains in the Dolomites, he had lovely pictures of a dragonfly, a lady's slipper orchid and some enchanting night photography including a shot of the galactic core over the Tre Cima.

After the break we went to Iceland where James ran wild photography courses and produced another book, this time Iceland. He had pictures of sailing ships with icebergs and pictures of his own live-in Fiat long wheelbase van. Not all easy living when the weather confined you to the back of the van for several days!

Nevertheless, he displayed lots of landscape pictures of Iceland plus several pictures of arctic foxes, reindeer, and arctic terns. Not only that he found an abandoned herring factory which proved very photogenic.

He talked of the 'lunar' landscape, geothermal vents and the northern lights and brought his presentation to an end by describing his drone photography and showing us his complete kit and equipment.

An excellent photographer and some quite amazing images. We are indebted to both James and Old Coulsdon for hosting a riveting evening.

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Cambridge Camera Club Digital Inter-Club Competition

Last Saturday afternoon after the judge, David Lowe ARPS , DPAGB from Smethwick had delivered his critique for the images entered by the twenty-five competing EAF Clubs taking part in this year’s competition Norwich & District Photographic Society tied on 90 points with Ampthill & District Camera Club and Shillington & District Camera Club.

Unfortunately, David chose the reserve image from Ampthill, so they were declared the winners with NDPS, and Shillington declared ‘equal second’.

Near but so far. Nevertheless, this was outstanding achievement and confirms the recent successes by NDPS in other inter-club competitions and the continuing growth of talent and commitment to improvement amongst the Society’s members..

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Benvenuti a Venezia

This evening a well-attended presentation by our own Dave and Joan Jordan kept us all focused on the jewel of the Adriatic sea, Venice, capital of the Veneto region Italy. Built on a group of 118 small islands that are separated by canals and linked by over 400 bridges, one of the most romantic, most visited and most endangered cities in the world.

They have been fortunate enough to have visited Venice on three occasions and this evening we were taken on a photographic journey through their visits to this beautiful city and its immediate area.

The presentation began with an explanation of the geographical position of Venice and some of the things that prompted their interest in the city. An excellent piece of advice was to take the water taxi, hop on and hop off, to save your feet. Venice can be tiring if you only walk as a means of getting about.

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Starting with a Blank Canvas by Polina Plotnikova

Yesterday evening, 4th January, Polina Plotnikova opened the 2022 season at NDPS with a presentation of her work featuring creative flower portraiture and still life photographed in both a studio and her home. She studied fine art in a Moscow university and her photography was then only a hobby, but this grew into a profession and obsession.

Polina gave us several examples of old masters who had inspired her, European artists of the 17th to the 19th Century, but her inspiration extended to include the Impressionists; Van Gogh; Claude Monet and Bobbie Burgers.

She said that her approach to studio flower photography was to treat the exercise as a portrait photograph. Her pictures were not flower arrangements but individual flowers or very small groups of blooms. She explained that many of her photographs were focus stacked and taken using a variety of lenses including those from Lensbaby.

Her lighting diagram was two lights, a camera on a tripod plus a tethered laptop. She said that she preferred to spend time with her camera rather than Photoshop, always capturing exactly what she saw on the back of the camera without the need for lengthy work on the computer after the shoot.

The second part of her presentation was called 'Still Life'. Again, she explained that in the studio she, the photographer, was in control of everything so that no one could be blamed for mistakes, this compares with outside shoots where the light varies, there can be rain and there can be people to walk into the shot.

Polina showed herself to be very exact in her compositions citing an example of a two year wait to find a particular prop! Plus, the invaluable piece of advice for anyone who wants to try this type of photography - 'don't get rid of your old ironing board'!

Thank you Polina for an absorbing presentation and a collection of outstanding photographs as well as a brilliant start to the New Year.

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The End of the Mine by Chris Upton

The last of our regular Special Presentation of 2021 was a hugely inspirational talk by Nottinghamshire based photographer Chris Upton. Chris is a landscape, travel and social documentary photographer and his presentation led us through all these areas and much, much more.

This was a walk through Chris' project documenting the last months of Thoresby Colliery in Nottinghamshire. What began as a simple project shooting a record of a mine, albeit not being allowed to go underground, bloomed into something much bigger and grew into an exhibition and a book, not to mention the AV and local radio and television.

This long journey was carefully, researched and choreographed by Chris including making meaningful relationships with the miners working on the site. The important point Chris was making was that a project, leading to a collection of photographs or even a book of pictures was a much better exercise that taking one photo to gain 10/10 from a judge!

The photographs that Chris showed us were wonderful examples of the art of black and white photography, because that’s what they were, he explained that If they had been in colour we would have all had our attention stuck on the orange workwear and missed the important vistas in the background.

All the pictures were shot in RAW, of course, converted into black and white and the postproduction was in Nik or Lightroom. And what wonderful results they were, Chris showed himself to be a consummate photographer and postproduction expert.

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The Annual Three-Way Battle Norwich | Ipswich | Lowestoft

Last night saw the return of this well-loved 'battle' between three of East Anglia’s oldest photography clubs. The Coronavirus pandemic had kept us apart since 2019, but Ipswich were this season's hosts and representatives of all three clubs met in their meeting room in Ipswich for the judging by Sarah Kelman ARPS, DPAGB from Cambridge with the meeting being Zoomed live to those members of the three clubs who did not attend in person.

And what an evening of excitement it turned out to be!

We arrived in Ipswich fresh from the outstanding performance by our members just four days before in a new style photo-competition with Sheffield Photographic Society and the London club, Old Coulsdon Camera Club, but far from being battle weary we were prepared for a tough engagement. Throughout the evening as first monochrome and then colour prints were displayed and marked the top score swayed from one club to the other until, at half time, amazingly, all three clubs were separately by just half a point. There were murmurs of surprise from the Competition Secretaries, a lot of ad hoc checking of points and the judge said she could not recall a similar situation.

In the final part, everything was left to play for. Another 21 digital images were displayed, and careful notes were made of the scores. Finally with every picture displayed and the scores recorded on the software and the notepads of the Competition Secretaries the winner was declared. Norwich and District Photographic Society! The final scores were NDPS 181.5, LCC 180.5 and IDPS 177.5

The NDPS selection from 14 different Society members showed our strength in depth with more than 76% of our entries being awarded at least 81/2 out of a maximum score of 10. Congratulations to Adrian, Alan, Dave B, David J, David T, Des, Gary, Jayne, Justin, Malcolm, Maurice, Pat, Patricia and Tom, whose excellent images across a broad selection of photographic genres all contributed to our success.

The image below shows NDPS Chairman alongside a representative from Ipswich being awarded the winner’s trophy by Sarah Kelman.

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Inspirational Special Presentation by Douwe Dijkstra (‘Dex') from Sydney Australia.

My Street Photography

This week NDPS members were very happy to receive a breath-taking presentation from Dex, a professional graphic designer and an 'amateur' photographer living and working in Sydney, Australia. Dex took us through his life and his all-consuming 'hobby'.

The standout features from this presentation were firstly that Dex only used an iphone camera and secondly only produced black and white images - probably a difficult set of parameters for the average photographer but for Dex, not a problem.

Dex's initial photographic inspiration was drawn, when a child, from his grandfather's camera and photos, and these inspirations have lasted the whole of his life. He talked of his journey through film, DSLRs and finally only using iphones. He said that his work as a graphic designer was separate from his photography but stood him in good stead from a compositional point of view.

He catalogued his photo collection using headings such as Beautiful Light, Creative Captures, Layered Composition, Graphic Shapes, Reflections and Decisive Moments. For each of these headings Dex displayed a whole series of his photographs. These pictures included those he selected for publication in his own book, #mysydney and those photographs selected by Photography Magazine for his award Photographer of The Year.

Dex left us with the exhortations to be inspired, be creative, follow our instincts, think outside the box, break the rules and most important of all Do Have Fun..!

A tremendous evening of first rate photography and, judging by the questions asked at the end of the presentation and by those comments left in the comments box, an outstanding evening enjoyed by well over forty members of the Society.

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